By Lidia Gaviña The poetic image is part of the personal mythology of each poet. CGJung
Genet
more challenging, but less coarse, more rich in symbols that Beckett, mixes more than T. Williams, the historical characters of the fantasy creatures ... Ionesco envy invention, the unexpectedness of the aftershocks and the game stage. Pirandello, is not indebted to him .... first impression is the confusion, the beginning of Wedding and Yerma, the hand printed wall and windows that are pictures, which put the work in the surrealist symbolism, heightened by the entry of 4 horses to surprise and complete a plastic effect. .. the 3 men in tails, has a value of reply to the entry of horses and the costume, which is found in the invention stage, going to the memory of 6 characters, go to the memory of Pirandello ... here is the similarity of form than of substance, men in uniform ... Angel del Rio says "the poetry of impersonation of forms, surreal aesthetic basis of all "pro Surrealism in Lorca is external form that uses hidden instincts to roam and not blind acceptance of a creed aesthetic can be interpreted, that painting, as a dialogue of impossible love, more related to the Greek myths of the metamorphosis that the surrealist aesthetics ... what the meaning of bare blue crowned with thorns in a bed dying perpendicular, in his dialogue interspersed with the words of the Passion nurse in intentional fracture .. . as a gallery of mirrors that reflect them disrupt the clothes and faces ... super imposition of various levels of the subconscious, Julieta, Emperor, Centurion dialogue with the characters created, or shaquesperianas intermixed biblical words in a text that ranges from lyrical Lorca crudest expressions of the language ... love is a phenomenon, motivated by factors other than the will of man ... the phenomenon of love may be expressed at all levels with the same drama and intensity ...
No action is required of both sexes, not two human beings, even poetically speaking of one, love is pure coincidence ... a woman in love with an ass-Titania, the Dream of a Summer Night "is the great message for Lorca ... invention of the elixir of a flower is equal to the accidents of love "and this frivolous, fable illusory engages only a dream ... Sakespeare.
deliberately, and to demonstrate the accidents of love, used as an example the thorny issue of homosexual love, the love theme is one of those five or six themes that run throughout, all the poetry of Lorca But at the Public, Lorca appreciate what would be intolerable for moral mask individual and society, 1930, "I do with the public if I remove the railings at the bridge?, would deviate the mask ...? "... first take the universal scene, perhaps the problem-drama of love homosexual and determined in the theater, the real personality" ... the costumes are apparently descúbrense relationships that exist and existed, between characters and character sketch ... horses witness the drama, and the director called Elena, whom he wanted when his open-air theater cast a seeming reality ... courting Elena and the director exposes, masks in this game, and suddenly reappears, the man with a whip in his hand ... Elena is going with the servant, tired of recrimination ... man-character-directs all the action and does not hide his real personality ...
Presentation of characters ... two masks, two outfits that talk, dialogue, impossible love with a sadistic side, is planted, symbolically, the pain erotic funeral phallic significance by the female form and the tone of voice: women and even death to the arrival of the emperor's character, which comes with four horses, is to find one ... pomp and bells, want to appear to be the one looking for ... the Centurion with irony, he says, "the emperor guess ...", possible split between masks and characters. "The Public", untitled comedy, interpreted as a trilogy, which the poet never finished, but commented to her friends who had drafts of a tragedy called "The State", but never found traces of the project is scriptural.
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